The Haifa Wehbe Post

Before I get into the meat of this post, I’d like to thank the inept American mainstream media for giving me an excuse to write about Haifa Wehbe, Ruby, and Nancy Ajram on my blog. Frankly, I’ve never found a better one than this…

Pop quiz—What does more to galvanize radical anti-American sentiment in the Muslim world: (a) Israeli settlements on the West Bank; or (b) a Lady Gaga music video?

Thus reads the first sentence of Bret Stephens’ myopic Wall Street Journal opinion piece*. I’m sure most of you are thinking “a” but ah, wait…”If your answer is (b) it means you probably have a grasp of the historical roots of modern jihadism. If, however, you answered (a), then congratulations: You are perfectly in synch with the new Beltway conventional wisdom, now jointly defined by Pat Buchanan and his strange bedfellows within the Obama administration.”

Ah yes, I see where this is going. A thinly veiled statement on how Arabs hated America long before Israel occupied Palestine, based on writings by Sayyid Qutb on American decadence in 1951. The piece claims, of course, that these writings occurred “after” the occupation of Palestine, making the impossible case that Palestine wasn’t at all occupied until 1967, using the “only crazies believe that” to diminish the fact that Palestinian displacement is a fact. Regardless of whether or not the establishment of Israel was just, it is academically dishonest to claim that the creation of Israel in 1948 didn’t at all affect, hurt, or anger Palestinians.

But that’s not really a surprising stance. What is truly surprising is Stephens’ complete ignorance of reality in the Arab world, evidenced by his (or his editor’s) thematic example of “the American Temptress,” the term used by Qutb in his 1951 piece. Stephens posits that Arabs can’t tolerate 1950s America, let alone 2010 America (his symbol for that being Lady Gaga), saying, “In other words, even in some dystopic hypothetical world in which hyper-conservatives were to seize power in the U.S. and turn the cultural clock back to 1948, America would still remain a swamp of degeneracy in the eyes of Qutb’s latter-day disciples.”

Stephens appears to be suggesting that Muslims and Muslim culture (he says Arabs, but we all know what he means) have not evolved at all in the past 60 years. Not only is that terribly racist (pointed out earlier by Justin Logan at the Cato Institute), it’s flat-out wrong.

Exhibit A:

Now, it’s no Bad Romance, but Maria’s 2006 hit “Elaab” would not have been played in public in 1950s America. In fact, her video, and this 2005 one from Ruby, bring to mind a video by another young vixen who made it on the scene in 1998: Britney Spears.

I remember my own surprise when I went to Morocco for the first time; I knew about Fayruz, but not Haifa; Umm Kalthoum but not Nancy. Ah, Nancy Ajram. I remember the first time I saw this video, which is far more GaGa than Britney:

Nancy…

And then there’s Andrew Exum’s example:

Brett Stephens may have read a few books on Islamist thought, but how many Arabic-language music videos has he watched? I ask because I have seen a lot (as they play pretty much 24-7 in 90% of the cafes and restaurants of the Arabic-speaking world), and I have also, this very morning, made a careful study of the oeuvre of Lady Gaga to determine which are more provocative sexually. The verdict? Lady Gaga is, in the words of my office mate (like Sayyid Qutb, an alumnus of the University of Northern Colorado!), “a brilliant art school trainwreck.” She is a ridiculous mess who uses sex among many other provocations to entertain. And as I have well-documented soft spot in my heart for Italian girls from Westchester County, I feel I need to stick up for her.

Haifa Wehbe, meanwhile? Well, judge for yourselves, but whereas Lady Gaga is a Tisch School-trained provocateuse, Hizballah-supporting Haifa strikes me as a less sophisticated one-trick pony pretty much mixing sex with music with, well, more sex. Regardless, with music videos like this one, Stephens can hardly argue that Lady Gaga is the one importing sexual provocation into the Arabic-speaking world and stirring things up, can he?

I’m not going to use Exum’s creepy Haifa example (“Boos al-wawa” – Haifa does far too many videos with children; who knew you could turn a ho into a housewife?) and give you one my favorites, instead:

Now, to be fair, the aesthetics are totally different; Lady Gaga is edgier, fiercer, while Haifa, Nancy, Ruby, and Maria all represent a certain idealized image more akin to the Britneys and (early) Lindsay Lohans of the US market. Nevertheless, they are all pop (check out this great moment (2:27) in Haifa Wehbe history where she proclaims “Britney is not Pavarotti, Jennifer Lopez is not Dean Martin”). And of course, there’s plenty of controversy around these pop stars, but like Exum said, that doesn’t stop them from being played 24/7 in cafes all across the Arab world.

*note: I know what an opinion piece is, but let’s have some standards for our media